Source of the Term "Trace"
The term "Trace", which refers to the trace of the other, has been borrowed by Jacques Lacan from:
1. Jacques Derrida
2. Immanuel Levinas
3. Sigmund Freud
4. Christopher Norris
Answer:
2. Immanuel Levinas
Explanation:
The concept of the "trace of the Other" as a foundational ethical responsibility that resists containment by the self was developed by the philosopher Immanuel Levinas. This ethical usage of "trace" is the primary source that influenced Jacques Lacan (and also Jacques Derrida, though Derrida focused on its linguistic and deconstructive implications).
Origin of the Term "Remainder"
The term "Remainder" has been first used by
1. Giorgio Agamben
2. Guy Debord
3. Jacques Derrida
4. J. Habermas
Answer:
3. Jacques Derrida
Explanation:
The philosophical concept of the "remainder" was theorized by Jacques Derrida within deconstruction. It refers to the residue or excess that always escapes any attempt to achieve closure, totalization, or complete meaning within a text or system.
Origin of the Term "Chronotope"
The term "Chronotope" has been coined by
1. Mikhail Bakhtin
2. Stephen Greenblatt
3. Bertolt Brecht
4. J H Miller
Answer:
1. Mikhail Bakhtin
Explanation:
The term Chronotope (meaning "time-space") was coined by Russian literary theorist Mikhail Bakhtin in his essay "Forms of Time and of the Chronotope in the Novel." It describes the essential interconnectedness of temporal and spatial relationships as they are represented in literature, shaping the narrative's genre and meaning.
Foucault and the "Notion of Author"
The "notion of author' constitutes the privileged moment of individualization in the history of ideas, knowledge literature, philosophy and the sciences." Identify the critical essay in which the line occurs:
1. "The Deal of the Author"
2. "What is an Author"
3. "Heirs of the Living Body"
4. "What is New Formalism"
Answer:
2. "What is an Author"
Explanation:
This line appears in Michel Foucault's 1969 essay "What is an Author?" Foucault argues that the "author-function" is a historical construct that serves to regulate and organize discourse, acting as a mechanism of control and individualization in intellectual history, distinct from Barthes's assertion of the author's "death."
Origin of "Territorialization"
"Territorialization" is a term given by-
1. Gayatri C. Spivak
2. Edward Said
3. John Macleod
4. Gilles Deleuze and Felix Guattari
Answer:
4. Gilles Deleuze and Felix Guattari
Explanation:
The concept of Territorialization (the process of establishing order, boundaries, or coded identity) and its related processes (deterritorialization and reterritorialization) were introduced by Gilles Deleuze and Félix Guattari in their collaborative work, primarily Anti-Oedipus and A Thousand Plateaus.
Queer and Gender Studies Chronology
Arrange the following works of Criticism chronologically:
A. Gender Trouble: Feminism and the Subversion of Identity (Judith Butler)
B. A History of Gay Literature: The Male Tradition (Gregory Woods)
C. History of Sexuality (Michel Foucault)
D. New Lesbian Criticism: Literary and Cultural Readings (Sally Munt, ed.)
E. Bodies That Matter: On the Discursive Limits of "Sex" (Judith Butler)
Choose the correct answer from the options given below:
1. E, D, B, C, A
2. B, A, C, E, D
3. C, A, D, E, B
4. C, B, A, D, E
Explanation:
The chronological order reflects the progression of gender and sexuality theory:
C. History of Sexuality (Foucault) – 1976/78 - Foundational text on sexuality as a power construct.
A. Gender Trouble (Butler) – 1990 - Introduces gender performativity; foundational for queer theory.
D. New Lesbian Criticism (Munt, ed.) – 1992 - Anthology establishing lesbian criticism.
E. Bodies That Matter (Butler) – 1993 - Sequel reinforcing the performative nature of "Sex".
B. A History of Gay Literature (Woods) – 1998 - Scholarly history of the male homosexual literary tradition.
Postcolonial Criticism Chronology
Choose the correct chronological order of the given works on Postcolonial Criticism:
A. In Other Worlds (Gayatri Chakravorty Spivak)
B. Postcolonial Literary Studies: First Thirty Years (Robert P. Marzec, ed.)
C. Nation and Narration (Homi K. Bhabha, ed.)
D. The Protestant Ethnic and the Spirit of Capitalism (Rey Chow)
E. Modernity at Large: Cultural Dimensions of Globalization (Arjun Appadurai)
Choose the correct answer from the options given below:
1. A, E, C, B, D
2. C, A, E, B, D
3. E, D, A, C, B
4. A, C, E, D, B
Explanation:
The chronological order tracks the evolution of major postcolonial theory texts:
A. In Other Worlds (Spivak) – 1987 - Foundational essays on subalternity and deconstruction.
C. Nation and Narration (Bhabha, ed.) – 1990 - Influential collection challenging fixed national identity.
E. Modernity at Large (Appadurai) – 1996 - Explores globalization, migration, and cultural flows.
D. The Protestant Ethnic and the Spirit of Capitalism (Chow) – 2002 - Critique of identity politics and modernity.
B. Postcolonial Literary Studies: The First Thirty Years (Marzec, ed.) – 2005 - Retrospective study of the field's history.
Feminism Works Chronology
Arrange the following works of Feminism in chronological order:
A. The Female Imagination (Patricia Meyer Spacks)
B. The Madwoman in the Attic (Gilbert & Gubar)
C. A Literature of their Own (Elaine Showalter)
D. Women's Oppression Today: Problems in Marxist Feminist Analysis (Michele Barrett)
E. Revolution in Poetic Language (Julia Kristeva)
Choose the correct answer from the options given below:
1. E, D, B, C, A
2. B, A, C, E, D
3. E, A, C, B, D
4. A, B, C, D, E
Explanation:
The chronological order demonstrates the major shifts in 1970s/80s feminist criticism:
E. Revolution in Poetic Language (Kristeva) – 1974 - Psychoanalytic/structuralist theory on language and identity.
A. The Female Imagination (Spacks) – 1975 - Examines female imagination and identity.
C. A Literature of their Own (Showalter) – 1977 - Introduced gynocriticism and three phases of women's writing.
B. The Madwoman in the Attic (Gilbert & Gubar) – 1979 - Iconic text analyzing 19th-century women writers.
D. Women's Oppression Today (Barrett) – 1980 - Key work of Marxist Feminism.
Virginia Woolf's Statements on Women
Choose the statements given by Virginia Woolf about women:
A. "She is born stupid and can do nothing but stupidity."
B. "She dominates the lives of kings and conquerors in fiction."
C. "She pervades poetry from cover to cover; she is all but absent from history."
D. She criticized Shakespeare for being harsh and rude to his female characters in his plays.
E. "(I)n real life she could hardly read, could scarcely spell, and was the property of her husband".
Choose the most appropriate answer from the options given below:
1. A, B and E Only
2. B, C and E Only
3. A, D and E Only
4. A, B and C only
Answer:
2. B, C and E Only
Explanation:
These statements from Virginia Woolf's A Room of One's Own contrast the idealized portrayal of women in fiction with their constrained reality:
B (Correct): Women are powerful and idealized in fiction.
C (Correct): Women are ubiquitous in poetry but ignored in history.
E (Correct): In real life, women were denied education and legal personhood ("property of her husband").
The incorrect statements are:
A: Contradicts Woolf's feminist stance.
D: Woolf did not criticize Shakespeare this way; she praised his imaginative power but lamented the societal limitations placed on women writers (e.g., Judith Shakespeare).
J. S. Mill's The Subjection of Women
Which of the following statements have been given by J S Mill in his The Subjection of Women:
A. "The husband was called the lord of the wife."
B. "She is a slave of any boy whose parents forces a ring upon her finger."
C. "Wives are in general no better treated than slaves."
D. "The wife is the actual bondservant of her husband."
E. "If all women are not the victim of actual slavery, then all of them are the victims of the threat of slavery."
Choose the most appropriate answer from the options given below:
1. A, B and C Only
2. A, C and D Only
3. B, C and D Only
4. B, D and E only
Answer:
2. A, C and D Only
Explanation:
J. S. Mill's The Subjection of Women uses rational and philosophical arguments to critique the legal and social status of women:
A, C, D (Correct): Mill frequently uses the analogy of slavery, lordship, and bondservitude to describe the legal lack of rights and agency of wives within Victorian marriage.
The incorrect statements are:
B: The wording is too hyperbolic and is not Mill's measured philosophical prose.
E: This refers to the threat of assault and is a famous slogan associated with Second-Wave Feminism (e.g., Susan Brownmiller), not 19th-century Mill.
Critical Statements on the Novel
Read the following statements carefully and choose the correct ones:
A. Mikhail Bakhtin traces the roots of the novel back into imperial Rome and ancient Hellenistic romances.
B. Henry James considers the novel as the epic of a prosaic modern world.
C. Margaret Anne Doody locates the novel's birthplace in the cultures of the ancient Mediterranean.
D. F. R. Leavis defines a novel as "one bright book of life".
E. Georg Lukacs calls the novel "the epic of a world abandoned by God".
Choose the most appropriate answer from the options given below:
1. A, C and E Only
2. A, B and D Only
3. B, C and D Only
4. C, D and E Only
Answer:
1. A, C and E Only
Explanation:
The correct statements provide accurate attributions for the history and theory of the novel:
A (Correct): Mikhail Bakhtin traced the novel's roots to ancient forms like Hellenistic romance and Menippean satire.
C (Correct): Margaret Anne Doody (in The True Story of the Novel) argued for the novel's ancient, Mediterranean origins.
E (Correct): Georg Lukács (in The Theory of the Novel) defined the genre as "the epic of a world abandoned by God."
The incorrect statements are:
B: The phrase "epic of a prosaic modern world" is attributed to Georg Lukács, not Henry James.
D: The phrase "one bright book of life" is attributed to D.H. Lawrence, not F. R. Leavis.
Barbara Johnson and Deconstruction
Which of the following statements have been given by Barbara Johnson:
A. "Deconstruction is not synonymous with destruction..."
B. "The deconstruction of a text does not proceed by random doubt or arbitrary subversion.."
C. "Deconstruction is not a dismantling of the structure of a text but a demonstration that it has already dismantled itself."
D. "If anything is destroyed in a deconstructive reading, it is not the text, but the claim to unequivocal domination of one mode of signifying over another."
E. "Deconstruction as a mode of interpretation works by a careful and circumspect entering of each textual labyrinth.."
Choose the most appropriate answer from the options given below:
1. A, B and D Only
2. A, C and E Only
3. B, C and D Only
4. A, D and E Only
Answer:
1. A, B and D Only
Explanation:
Barbara Johnson was influential in clarifying deconstruction's methods and aims:
A, B, D (Correct): Johnson emphasized that deconstruction is a rigorous method (not arbitrary/destruction) that works to expose hierarchies (like speech over writing) rather than destroying the text itself.
The incorrect statements are:
C: This famous description ("a demonstration that it has already dismantled itself") is generally attributed to Jacques Derrida, not Barbara Johnson.
E: While this captures the spirit of deconstructive reading, the specific phrase "textual labyrinth" is not characteristic of Johnson's own writing.
Match Feminist Texts with Authors
Match List-I with List-II:
List I (Feminist Texts)
A. Thinking About Women
B. The Female Eunuch
C. The Dialectic of Rex
D. The Feminine Mystique
List II (Writer)
I. Betty Friedan
II. Mary Ellmann
III. Shulamith Firestone
IV. Germaine Greer
Choose the correct answer from the options given below:
1. A-II, B-IV, C-III, D-I
2. A-I, B-III, C-II, D-IV
3. A-II, B-I, C-IV, D-III
4. A-III, B-II, C-I, D-IV
Answer:
1. A-II, B-IV, C-III, D-I
Explanation:
The correct matches pair each groundbreaking feminist text with its author:
A. Thinking About Women – II. Mary Ellmann
A pioneering feminist text (1968) that critiques the portrayal of women in literature using irony and wit.
B. The Female Eunuch – IV. Germaine Greer
A radical feminist work (1970) advocating for women's liberation and critiquing the repression of female autonomy.
C. The Dialectic of Rex – III. Shulamith Firestone
A foundational text of radical feminism (1970) blending Marxist and psychoanalytic theory to argue for the abolition of the family.
D. The Feminine Mystique – I. Betty Friedan
A key second-wave feminist book (1963) that exposed "the problem that has no name" — the dissatisfaction of suburban housewives.
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